August 30, 2009
Vodafone, the UK-based telecommunications giant, has appointed OMD to handle its iternational media planning and buying account, worth around $1.3 billion.
The deal covers all global markets where Vodafone is a wholly-owned business and includes Egypt and Qatar regionally.
Vodafone is the largest mobile telecommunications network company in the world by turnover, with its current market value estimated at $122 billion.
It has operations in 25 countries and partner networks in a further 42 countries.
August 26, 2009
Unilever has turned to consumer-generated content as the future of it ad campaigns for the Peperami brand after splitting with Lowe, its UK agency of 15 years.
The FMCG giant has enlisted the resources of the website ideabounty.com – an online community for creatives – devising a competition which asks the public to submit ideas for future commercials for the meat snack brand.
The competition is open to applicants worldwide and interested parties will be able to register on the site to receive a brief from 28 August.
The winning idea, which will be announced in November, will receive what Unilever is calling a “bounty” of $10,000 as well as being turned into a global ad campaign, set to break initially in the UK.
Unilever plans to pitch out all further briefs for the Peperami brand in this way, rather than appointing a retained agency. Though its new commercials will be still be based on its existing anarchic icon, the ‘animal’ character created for it by Lowe.
Matt Burgess, the managing director of Chrysalis UK, the division of Unilever that manages Peperami said, “This is not a stunt. As an ongoing way of making our content we are crowd-sourcing. We do not plan to appoint a retained agency for Peperami, but at this stage we have no plans to roll out this strategy across our other brands. We have to see how this works first.”
August 23, 2009
Soft drinks giant Coca-Cola has handed its regional public relations business to Memac Ogilvy PR, removing it from incumbent Jiwin.
The handover of the account took place last week, with Memac Ogilvy PR – part of the Memac Ogilvy Group – taking up the reins as Coca-Cola’s contractual obligation to Jiwin expired. Jiwin had handled the account since September 2007 following a successful pitch bid. The same pitch saw Memac Ogilvy come a close second.
The move signifies the company’s desire to consolidate its business by working with an existing partner – Memac Ogilvy handles aspects of Coca-Cola’s creative and media accounts – said Antoine Tayyar, public affairs and communications manager, Coca-Cola Middle East.
“What we need in the next period is to have more presence in markets and Ogilvy PR has this,” said Tayyar. “It was a streamlining of the business. We selected one of the agencies that work with us also on creative and media and we consolidated in this area, PR, into an agency that works with us. There wasn’t a need a need to do a major pitch, because at the end of the day we don’t have hundreds of creative [agencies] we work with. And previously, a couple of years back when there was pitch done, Ogilvy was one of the top two.”
Memac has taken on responsibilities with immediate effect, handling the introduction of a new visual identity for Coca-Cola brand Sprite and the Coke Light integrated campaign ‘Very Important Apartment’.
Ronald Howes, regional managing director of Memac Ogilvy GCC, said: We look forward to further strengthening our relationship with Coca-Cola in the weeks and months to come.”
August 23, 2009
Emirates has moved its $5.7 million UK advertising account out of incumbent Leagas Delaney and into VCCP’s London office without a pitch.
VCCP, which had an office in Abu Dhabi and works with clients such as Qatari Financial Centre, was asked to handle the business after its presentation to the airline as part of the $270 million global advertising account, which was put up for pitch in June.
Leagas Delaney, which has handled the UK account for five years, was not asked to defend the business and is not involved in the global review.
The UAE-based airline spent around $5.7 million on advertising in the UK last year, the bulk of which went on promoting its long-haul flights.
An Emirates spokesman admitted that the account had moved but said it had nothing to do with the global review.
He said: We can confirm that Leagas Delaney is being replaced by VCCP. This is entirely unconnected with the pitch for a global marcomms agency. It is purely a UK appointment by Emirates.”
This is the first time VCCP has worked for Emirates. However, the VCCP Group-owned brand promotion specialist Branded Moments of Truth worked on a project for the airline three years ago, and Bell Pottinger, which is part of the VCCP parent Chime Communications, handles the airline’s public relations.
Charles Vallance, one of VCCP’s founding partners, has an essay titled The Art of Unlearning in today’s new issue of Campaign.
August 20, 2009
Television provides the most memorable advertising, according to research commissioned by the organisers of the Edinburgh International Television Festival, reports the UK website Brand Republic.
The research, which was conducted by pollsters YouGov and management consultancy Deloitte, found that 64% of people who watched television found TV commercials were one of the three media which had the most impact.
The findings will fuel arguments by the commercial TV sector that television advertising remains a powerful marketing medium in the face of the growing popularity of the internet.
The YouGov/Deloitte research also found that, after TV, newspaper advertising was the second hardest-hitting medium. 30% of those polled credited it as the most impactful medium.
Magazine advertising scored third place in the survey, followed by radio and outdoor.
The research also found that 44% of the sample used the internet to research a brand or company after seeing an ad on TV. Yet only 8% of respondents rated internet advertising as high-impact, and just 12% deemed search ads as the most memorable form of advertising.
But, according to the findings, nearly 25% of the 2,000 respondents said that they were impervious to the effects of any advertising.
August 12, 2009
By Ramsey Naja, chief creative officer, JWT MENA
“One of the good things about living in Beirut is the low crime rate. Which is a debatable advantage in a city equally known for partying and war: you won’t get mugged on the way to the club but you may get bombed – you do the stats. And this summer, it seems that people have decided it’s worth the risk of being F-16ed, judging by the number of tourists flocking into Beirut.
But for the visiting advertising pro, there is no concealing the vandalism on offer in the Lebanese capital. Save for a few glittering exceptions, it is violently on display on the majority of outdoor posters peppering every street: awful, pathetic, boring, vulgar, idiotic, toe-curlingly embarrassing advertising. Crime? Well you got it. In the region’s advertising cradle itself, the industry seems to compete with a delicatessen’s cheese counter.
For the place that launched a thousand advertising careers, many of which have gone to majestic heights on foreign shores, home is where the fart is. It seems like any brief is debunked with flatulence. It’s a collection of what-not-to-do: knee-jerk copy (with inevitable oh-I’m-so-clever exclamation marks), sigh-inducing visual metaphors and Johnny-two-times ads where the copy repeats what the pic labours to show.
Recently, the Lebanese ad industry had a great chance to show its mettle: an un-99.9-per cent election campaign upon which the world cast an intrigued gaze. For once, the Arab world had a freedom of speech champion with gold-plated balls, a Middle Eastern country that does opinion but not Bar Mitzvahs. Pens were sharpened instead of swords and our industry waded in. So what did we get? We got advertising that didn’t just preach to the converted, it pandered to the lowest common denominators and joined up with PR that managed to dig beneath the basest instincts for the kind of 360 that made you vomit with dizziness. And if you thought that was an aberration driven by the country’s bargain basement politics, the work on display today confirms it: what Lebanon suffers from is a criminal waste of talent.”